Figure 1: A pair of Chinese Cuffs, undated. |
Researching into Faces & Figures in Embroidery.
It highlights the England embroidery methods throughout 16th – 19th centuries and the purpose of different stitches. I am continuing the comparison between Anglo-Sino stitches.
The first pair of Chinese cuffs served the purpose of a traditional garment; they were identical.
In the past people have linked restoration to oriental designs, so I have decided to relate this to my own childhood as a native from Hong Kong. I tried to reaffirm my Asian identity. Through personal experience, I have been experimenting with elements of my own physical identity.
Figure 2: A pair of Chinese Cuffs, undated. |
However, on the second pair of Chinese cuffs they were not identical. Each had been noted on the label and were embroidered beautifully. I started thinking about how I can represent them.
I plan on linking with my childhood of how I moved in England and I was bullied because of my race and how I felt at the time that I felt the need of removing my Chinese identity, such as bleaching my hair to different colours but black. I change my hair and love to use colour. Within my work, I can use nature and wildlife to document my work and myself within this work. I want to link to portrait work and develop this within a new style to offer a self-portrait.
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